ryo murakami and dj pi-ge are running the label pan records. for the second release they present a new producer with new possibilities. his name is auji industries from tokyo. his debut ep consists of 4 wonderful deep dubby tracks. hope you like it - enjoy!

chicago a place celebrated the world over for the talent of its musicians spanning across countless genres of music. you name it---soul, funk, rock, jazz, blues, etc. in modern times, chicago’s dance floors have had a worldwide reputation for house music.

we are happy to announce xdb on echocord dj/producer xdb aka kosta athanassiadis has been djing since the early nineties but its in the last few years that his abilities as a producer have come to fore both through his recordings for labels such as detroits sistrum and francois ks wave music, remixes for norm talley, conforce and patrice scott to name a few, along with the releases on his own metrolux label which he founded in 2006. lately, kosta athanassiadis is garnering the overdue attention of popular writers and fellow musicians. throughout his growing popularity, xdb has kept his identity nearly silent, allowing his music to be unpolluted by preconceived notions that comes with branding ones image. less is more, he suggests, applying the advice to inspiring and established artists. in the end, it was this tactic – of letting the music speak for itself – that cultivated the respect and trust of his fans. recent 2011 releases are his bakfom ep on harbour city sorrow and now followed by the apari ep on echocord. two powerfull dubby tracks by xdb + a fantastic remix by sven weisemann

schon als jugendlicher interessierte er sich für r&b-musik und gründete eine high-school-band (the spades) mit jerry byrne (lights out) als sänger. rebennack wurde einer der ersten weißen musiker, der regelmäßig bei r&b-sessions in new orleans spielte und als fester studiomusiker bei den legendären ace records arbeitete.

hand stamped and numbered - limited to 300 copies worldwide!
on sat002 lovework/decisions, black light smoke shows off his pop sensibilities with two sing-a-long summer anthems-in-the-making. lovework is a no-wave-inspired ditty littered with catchy analog synths, an ass-shakin bassline and reverbed claps juxtapozed with a haunting processed vocal from the producer himself that repeats, >you made a mess of my head. now i gotta put it all back together. theres nothing to say, over and over…< which is how this tune will be playing in your head after one listen. on the flip we get a taste of black light smoke in deep house mode with decisions, a lustrous and vibey joint that features a sweeter vocal by suavecito, a new guise of dj/producer and vocalist who is well known by another name. here more analog synths produce wickedly buoyant bass lines and swirling pads that combine with bubbly piano stabs and little vocal sample/edits for what sounds like it could have been a naked music release had the label been operating in 1990.

neurotraxx deluxe, the label run by deep house buzz name aki bergen, releases a hot new track from uk super dj filthy rich. as a talented producer/dj filthy richs innovative sound has made him undeniably one of the countrys finest djs today. a promising figure looming out from the crowd, rich is the complete package. effortlessly leaving his contemporaries behind, he leaps and bounds into a league of his own laughing to himself as he does it. this is because rich knows the secret to getting this far – is playing music that he loves, for people to dance to. this new single is more on the deeper side of electronic music but still built to do damage on the dance floor. with mixes from dzeta & basile (who have had tracks & remixes on 1trax, lower east and loco records) and paolo mojo (noir music, cr2, greatstuff, oosh) this is a seriously hard hitting package. with support coming from all the usual a-list and international djs (full list of dj support being released soon) this, as we have come to expect from neurotraxx and filthy rich alike, is going to be an essential record for many djs.

tronic continues its roll out of summer bombs with the >origin / freed< two-tracker from dosem, an artist who has previously made a name for himself with sterling output for technasia sub-label sino. >origin< is the first of the two tracks and it opens proceedings with an epic, synth heavy vibe. filtered, impeccably programmed drums gently unfurl into a persistently padding groove that kicks on a big system. as the track opens up to drop, metallic synth chords shimmer out of the groove and deliver a massive punch. the intensity grows continually throughout and the melodies are pushed to their maximum, making this an unashamed anthem. the flipsides >freed<, while more heads down than its counterpart, is certainly no shrinking violet. driving drums are topped with long, building vocal screams and rising synths create a feverish atmosphere that, added to a pulsing and brutish bassline, goes off.

back for his third release on hometown label thirtyonetwenty comes captain funktastic himself, william kouam djoko! if you have see him perform you know that this guy has the funk oozing through through his veins like a predatory viper going for the kill.
>cant lose my rhythm< takes you on a jazzy dreamscape, with of course all vocals are done by william himself which has become one of his signature trademarks.
>dazzling urbanite< takes thing a bit more down tempo, a perfect track to play when the first rays of light come shining throught the windows of the panorama bar.
last but not least we included remixes of the acclaimed classic >hard loving<, this time its kabale und liebe who does the honour, a name who doesnt need any further introduction!

terranova are hardly a new name on the scene. fetisch, its leader has lived on the international nightlife circuit since punk took over london. remember lcd soundsystems >losing my edge<? well, he was there. and he is still hungry. heralding the new terranova album (out early 2012), this double-headed single has classic written all over it. >i wanna go out< is an acid house anthem of the highest caliber, an ode to nightlife, a possibel mantra for all of us. >take my hand< features khan on vocals and takes you down a darker road. its clanging metallic percussions makes us think of einstuerzende neubauten in bed with herberts radioboy/wishmountain project. its deep, its good and it leaves us craving for more... welcome on board: terranova!

needing little introduction, london based producer roof light has been making big waves on the underground garage/post-dubstep scene since his groundbreaking debut >in your hands< ep for styrax some 21 months ago.
since then his resume has somewhat multiplied, with a string of releases on esteemed labels such as millions of moments, prolific, l2s, and highpoint lowlife to name a few. continuing on with this impressive run, roof light is poised to drop the fittingly titled >on the third< ep for phuture shock musik this summer.

the eagles for hands ep is the the first release for the get some records label.
producing under the name eagles for hands, brighton based musician laurie james ross unconventionally hailed from an upbringing in baroque and classical music. his background in multi-instrumentation later evolved into a love of math rock and electronica, and ultimately into various sub-genres of house, dubstep, glitch and garage. eagles for hands self titled e.p will be his first release on get some records.

abba war eine schwedische popgruppe und eine der weltweit populärsten musikgruppen ihrer zeit. mit fast 400 millionen1 verkauften tonträgern gehört abba zu den erfolgreichsten bands der musikgeschichte.die band formierte sich 1972. ihren internationalen durchbruch schaffte sie 1974 mit dem sieg ihres titels waterloo beim eurovision song contest im englischen seebad brighton. charakteristisch für die gruppe waren die zu dieser zeit ausgefallenen bunt-poppigen kostüme, die die musiker während ihrer auftritte und in den musikvideos trugen.

the sight below is a project created by rafael anton irisarri, an american composer, multi-instrumentalist, curator, producer and mixed media artist. in this guise he has produced two full-length cds on ghostly international, >glider< (2008) and >it all falls apart< (2010), and most recently, under his own name, >the north bend< for room 40.
the connection between the sight below and biosphere starts with the latters remix of >the sunset passage< from the >glider< cd, released on a limited 12” in 2009. >n-plants_remixes< is a superb extension of biospheres new touch cd as well as a fine release in its own right. only 300 copies have been pressed.

last year has been a little more quiet about dem birds but since they landed in their new studio the output is back where it should be. the demand for lovebirds is higher than ever especially after his current deephouse bomb featuring stee downes beautiful vocals on >want you in my soul< (winding road). the honeybadger ep referrs to the most badass animal on this planet. it simply doesnt give a shit about anything. and this is something lovebirds can relate to very well. should we also talk about music? well, maybe … >chasing things< is a deephouse peaktime funkmonster. its full on lovebirds sound - deephouse u can seriously party to and loose your cool. no 808 bassdrums either!! >running backwards< is a slick midtempo rat with some pretty badass drums and a kenny >fuckin< powers bassline that actually deserves the name, bitch! not to mention the heavenly breakdown with some of the smoothest guitars in this universe! last part of this heavy threesome is called >gives a shit< and is a nice oldskool tune with a heavy >let no man put asunder< bassline on top of some moodyman-ish chord stabs … ah, and i think brother marvin made it also on this one!!

clr is celebrating release number 050 with another impressive remix package. it features two remixes of two different tracks from tommy four sevens recently released debut album >primate< (clrcd010). for this occasion, none other than one of the undisputed founding fathers of detroit techno and minimal techno, robert hood, and the genre-bending dub-techno pioneer sigha have come to the table and have delivered two massive remixes of those highly innovative tracks by the british born, berlin-based producer. also included in the package are >verge<, the original track remixed by sigha, as well as another original track by the name of >g<. to understand why this is a truly memorable release, one has to know that tommy four sevens approach to music is unlike a musician. .

electric deluxe is proud to present the new terence fixmer ep le terrible. and as the name already suggests this ep is up for some serious damage. a side kicks off with le terrible a dynamic and powerful monster of a techno track which pumps up your adrenaline with its pounding bass drum and hypnotic built ups. gut feeling! b1: concept c is a strong track in which terence fixmer works his production magic with more experimental elements such as drone sounds and his ragged and slightly distorted signature bass. nonetheless creating a high energy level tune ready to be unleashed on the dancefloor. b2: last with the vinyl version dance like paranoid (marcel dettmann remix). marcel dettmanns remix wins you over by its carefully arranged melody and drum pattern which creates a melancholic and timeless rave anthem. bliss!

rockabilly was the name given by american trade papers between 1956 and 1959 to describe a new kind of music.

when david hasselhoff was touring munich the first time, it was a fucking dynamite show. word. dario was totally into him since knight rider came onto german tv. who is cooler then kit and the hoff? nobody. fact. so this record is a tribute to darios childhood influenced by the turbo boost beyond the purple sky and hoffs outfits. hoff is just sex! the ladys melt away just hearing his name. i have been looking for love! and freedom.

a chance meeting of minds and talents, this surprising new ep comes from a seasoned producer who kicked off the spc series with his stunning 3 part series, alongside a promising new talent whose name is spreading fast in the techno world. jeroen search & markus suckut are the craftsmen in question and this is their first creative output ?working together. >jsms 1.0< introduces us into their world. tough, straight beats pump under a discordant bed of synth tones that build in crescendo that emerges and then carefully dies down. the occasional crack of a lone clap or teasing washes of tape delay add to the tension, as this paranoid moment takes control. a classically warm and minimalist affair, >jsms 4.3< plants a super deep synth theme in our heads before introducing quite a mysterious spoken word, locking us into the vibe without doubt. crisp hats cut through the mix as a perfect tool is born. dub techno excursion >jsms 2.0< is a rough and raw stab track done their way.

russian label highway records run by mike spirit presents 12th release by modul project from krasnodar. after several appearances on well-known european labels harthouse, ostwind, level, 3rd wave and pro-tez, evgeny shchukin and alexander tochilkin deliver for highway two new intelligent tracks full of quirky melodies and analogue warmth - >keegan< and >farwalker<. first remix is produced by get physicals breakthrough artist siopis perfectly known for his collaborations with m.a.n.d.y., thomas schumacher, matt tolfrey, pierce or daniel steinberg. second remix is made by francois dubois (also known as funk d void) - worldwide-known artist releasing his tracks and remixes on such labels as soma, urbantorque, plastic city, om, freerange and his very own outpost recordings to name a few. we put all these ingredients together and get massive 4-tracker which will stay in djs bags for a long time.
early support by laurent garnier, agoria, john digweed, hernan cattaneo, james zabiela, hector romero, danny howells, dubfire, carlo lio, nacho marco, arnaud le texier, eelke kleijn, hermanez, motorcitysoul, catz n dogz, chaim, slam, mirco violi, huxley, kasey taylor and many more.

>facing forwards< and >who can say?< is the second single to be taken from talis hotly anticipated forthcoming second album >dark days, high nights< which features collaborations with benny page, dirtyphonics, shimon, skism, ed rush, atlantic connection, and lynx to name but a few. the album is released on shimons much hyped new label audio porn, which after little over 10 releases, has become one of the most talked about labels in drum and bass, dubstep and beyond with releases from the likes of camo and krooked, dirtyphonics, xilent, shimon, ram trilogy and of course tali herself.

for this release kurbits is happy to announce a new artist for the label – laurentiu suciu – aka. faster. laurentiu has been around on the romanian scene for a couple of years and has earned himself a large number of fans throughout the country. under the name faster, laurentiu has already released a couple of remixes and tracks on various digital labels such as the digital divisions of air drop records and cray1 labworks. whereas his previous releases has been more of straight up house affairs, this release sees laurentiu going for the more minimal and hypnotic shades of dance music. on the a-side we have omego, a track with instant hypnotic qualities. the rolling bass line and the atmospheric pads make the track a perfect choice for those in between moments when you are about to take your set from one direction to another. on the flip we have rost, a rhythmic skeleton based around a simple groove and a little hint of melody. the track might not have the ingredients of a chart buster, but we can assure you that it has all the ingredients of what we call a perfect tool. we sincerely hope youll have as much pleasure with these tracks as we are. well be back soon with new and exciting rhythms. happy mixing!

as a member of chairlift, the band he co-founded in 2006 and exited in 2010, aaron pfenning pulled double (and triple) duty – playing multiple instruments, writing songs, producing, and contributing vocals for the band s major label debut. that comfort with musical multitasking – and a cache of songs he d written that didnt fit his main project – made a new solo effort seem like the natural and logical next step to take. pfenning assumed the name rewards (a moniker hes actually used since 2003), spent the better part of last year touring with we are scientists, brandon flowers and warpaint, and released three broodingly romantic singles (>i used to<, >what a loser< and the achingly beautiful >two cardinals<) that made a host of listeners take sudden notice

house of disco records debut ep, shoes off brings together a cosmopolitan array of talent and showcases a supremely eclectic record that lives up to the apt label name and so much more. for the labels first release, its been a daring and adventurous move that looks to have paid off handsomely already, judging by a glowing adulation the snippets have received on the official soundcloud. with a delicious blend of some of the finer points of both house and disco, delivered with a multinational execution, this is a release thats brilliance will serve to be heightened as soon as it gets intimate with needle and deck.

here is the next instalment in kat records, sub-label kat45. this time sees rossoulano from the blackbeard camp, who were infamous in the early noughties with their soulful re-workings of stateside nu soul & hip hop originals into a more organic sound and championed by the like of giles peterson.
first up here we have rossoulano’s extended version of the supremes – stormy. originally produced by henry cosby in 1968, the man behind motown classics stevie wonders ‘my cherie amour’& smokey robinson & the miracles tears of a clown, stormy is one of the hidden gems from diana ross’s supremes. released on vinyl for the first time here and sounding all the mightier for it…
on the flip we have an the mysterious friends in lo places… an rnb/neo soul melter that harks back to blackbeards edit hey day and acts as a nice reminder as to why the name still rings true to many a soul aficionado.

tommy walker 3 has been hiding for a while now, after releasing a slew of material in 2008 (including a release on the sadly defunct dissident). now hes back with >dance music clubbing<, and with a name like this youd probably expect this ep to either be a bit off the wall, or unintentionally awful. we are glad to say it fits into the former category, offering an ep of colourful elastic space disco mixed with a more classic vibe. opener >disconnected< sets the tone with its 80s, verging on hair metal guitar riffs. >mwj1< impresses with its almost seinfeld-esque slap bass, and synth piano stabs while >errational< is characterised by its wonky synth melody and spaced-out laser gurgles. finally >v brains< melds driving live bass with huge slabs of cosmic squelch. if you like your disco fierce, this will definitely be worth a look

pyramid is the third album by the alan parsons project and was originally released in 1978. the album contains numerous references to the egyptian pyramids, hence the name

hamiltons debut single on ram records is simply massive. having already released two huge 12 inches on frequency and the immense >soundboy<, a track released as part of andy cs nightlife 5, it comes as no surprise that brainstorm and echoes have already conquered dance floors worldwide and is a firm favourite in the sets of andy c, chase & status, hype, bailey, sub focus and fresh to name but a few. brainstorm leads in gently with rolling percussion, building up the suspense until the winding bass and scattered drum beats kick in to create a smasher that all will want hear again and again.

bumperfunk has build up quite a name for himself in belgium the past 3 years with massive electro house sounds inspired by the german berlin scene, makes also music for a few big belgian movies.
idm is a new kid in town ... here on the drum roll with an absolutely massive downtown underground slow pumping techno bomb with lots of drum tribals ... try this out in front of a big crouwd ... you will see what happens next ...
nbk are nu beat kids. when looking for the ultimate oldskool rave team you will be hard pushed to surpass the credentials and pedigree of the two producers that make up the nubeatkidz.an explosive combination! now on track with a new sound - electro rave!

plastic rules is a fresh label that will offer underground quality techno music in the nightclub scene, selecting the best and hot artist at the moment. plastic style will go from melodic techno to minimal house untill electro influences searching to create a unique style that will give a cool impulse to the electronic platform.felix bernhardt is an impulsive, minimal producer who creates slippery, undetermined and sizzling sounds, which have been released to date on german labels such as hardshower, kaufe musik and afulab - with credits and plays by some of the biggest name djs such as dj hell, laurent garnier, and george morel amongst others. remixes by don ruijgrok & audiomatiques!

gutis name has been on everyones lips of late. his collaboration with dubshape -every cow has a bird- was championed by pretty much every house jock on the planet and his recent debut album on loco dices desolat received widespread acclaim. now hes teamed up with luca bacchetti - who has built up a solid reputation with releases on imprints on labels such as ovum recordings, wagon repair, supernature and be as one - for their first collaborative release. the esa nena quiere ep contains two sizzling slices of latin-flavoured loveliness, both of which are instilled with an appropriately warm blaze of summer sunshine. both extremely creative and massively complimentary of one another, this is a collaboration that looks likely to blossom in the future, but for now we caught up with them both to discuss the eps origins, their studio time together, and where exactly where the record is best enjoyed

split secs are alexandre mouracade & tk disko direct from los angeles, california. their name came out of discussion amongst friends about how anything can change in a split second and how much power and effect the smallest detail could have in any song. both fun loving long time djs and avid record collectors, they are putting their years of experience to work with numerous forthcoming releases on labels like on the prowl / nyc, smash hit music co., and much more to be announced very soon. their first ep is released on dj kaos imprint jolly jams out of berlin germany.

somewhere between center parcs in nottingham and the white sandy perfection of formentera reside two men dedicated to the art of horizontal dancing. their mums call them ampo and timm (funny names, those notts lads), though we know them by their collective name of coyote. in their minds eye, it is still 1986 and there are leathery looking germans with alarming posing pouches dancing to simply red records on the shimmering terrace at ku club while down the road alfredo is building his legendary reputation at amnesia. apart from the clued-up few, most of the brits are billeted in san antonio where the beers are cheap and the sunburn is plentiful. coyotes music, despite being produced in the east midlands conjures up a world of sun, sea and 80s glamour, while still sounding very much like today.

did you ever hear about christian strobe? no? hardly surprising, cause its a brand new solo-project by christian schnall, one half of disco trash music (maximal electro) and spruce (dreamy shoegaze). the german guy is musically rooted in the 80ies and early 90ies and as christian strobe, he combines airy new wave pop, retro-futurism with a pinch of house. the original mix of >midnight call< is full of magic, desire and an airy atmosphere, but still a simple pop song. the nightdrive version is recommended for nightly rides with your ferrari testarossa through big city lights. the italo-disco-pop-masters from codebreaker gives the original a funky french taste and reknowned keenhouse conjured a good-feeling remix with lovley summer-piano-chords. midnight call? you could name it sunshine call! in a more and more digital environment, the warmth of the analog vhs-tape version gives you the relaxing mood you need. the placid >lonesome astronaut< completed the debut-ep and takes you to a cosmic trip though time and space. stay tuned for the upcoming full-length album called >heartworks< in autumn 2011.
comes with code for free digital download of this release.

alex_q is not really unknown in our small family. he show off his talent last year in spring with the >endlich frühling ep< here on mgf. this time he will be even more intimate. as the name suggests, its all about a girl. but who are we to talk about this. there are much more talented people who have done this much better than we can. we just let the music talk. enjoy!

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

the second release on oasi lab has a duo of artists already known for their collaborations with labels like: tuning spork, resopal, and amam. they are mr.bizz & matteo spedicati! second release have two original tracks >naitoku< and >kyoto<, full tech house style both, where bass riffs and vocals are very important. to embellish the ep is >naitoku< remix by mulder nl, producer present in highest quality labels like: bla bla, be real, suara, just to name a few, and collaborations with daniel sanchez. mulder remix have high quality deep and detroit sonorities that will almost certainly not disappointed lovers of the most exigent clubs.

tes la roks highly anticipated debut album entitled >them< will finally see the light of day. tes la rok made his name in dubstep circles in 2007 with the massive >round the world girls remix< which immediately positioned him as one of the most exciting artists and definitely one to watch. anthem releases such as >under the dancing feet< remix for clouds, >wikidness remix< for mungos hi-fi, and >up in the vip / living fire< on dub police were soon followed by bookings at dmz in brixton and dubstep mecca fwd>> at plastic people. >them< features thirteen tracks engineered with precision and care. these tracks are being championed by the main players such as distance, n-type, kryptic, minds, desto, pinch, addison groove and cyrus.

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.

for cadenzas latest output, the imprint serve up something a little different from usual with a versus ep from two astonishingly contrasting yet equally prominent artists within electronic music. no remixes or reinterpretations are to be seen but instead, a meeting of minds between mirko loko and stacey pullen with deux elements. titled in fitting reflection of the combination of swiss born mirko loko and detroit innovator stacey pullen, this two track cut is as its name projects in all musical and conceptual aspects. whilst mirko loko is by no means new to cadenza after releasing his highly praised seventynine album on the label in 2009, stacey pullen is a fresh cadenza artist that the label couldnt be more excited to have aboard…this is >deux elements< the eps first piece is >formulaic mode<, a twisted combination of chaotic clicks merged with underlying melodies and a serene ambience of calm.

morning caffeine is the debut release by poker flats martin landsky on mobilee that we have all been waiting for! as a poker flat artist with huge success to his name for various remixes, he boasts a discography that reads like a guide through electronic musics hottest sounds. always refusing to be pigeonhold, landsky continuously embraces different paths and once again hes brought something new to the table. title track morning caffeine (main mix) kick starts the ep with both a dark and uplifting mood as a slightly twisted loop continues to build throughout the track, never really culminating but carrying on inescapably, whilst in contrast the organ dub version offers a much lighter and bouncier atmosphere. aint nobodys is the pleasant surprise of the ep, once again demonstrating landkys musical diversity and serving up really special warm dreamy vibes

next up we welcome toronto resident daniel dubb for our 32nd release on area remote.
with releases and remixes already featured on viva, 8bit, rejected, supernature, saved and plastic city, daniel dubb is a name to follow closely as a producer and dj. scorching club systems in house and techno global party hotspots with his deep and techy sounds, we are happy he has joined the area remote crew with 3 techhouse tunes.

hailing from the sunny land of kazahstan, wonderkid command strange has already become a household name for all lovers of both the big heavy smashers and musical side of dnb. having got acquainted with jungle in the tender age of 7, it didn’t take a while for him to get into production. his unique production and sound productions quickly gained support from scene’s heavyweights like goldie, ltj bukem, dj marky, fabio & grooverider, artificial intelligence, bryan g, twisted individual and others. command strange is undoubtly a name to watch in the years ahead.the weighty ‘bingo’ was first played at metalheadz in may and ended up being the big tune of the night with the crowd going crazy for 2 rewinds. mr lonely show’s the other side of his versatile production’s with a smooth j dilla influenced roller.

following recent excursions for adam beyers drumcode imprint, joseph capriati delivers some hand picked remixes of tracks taken his 2010 lp save my soul. cari lekebusch and fergie remix the young neapolitan producer who has won a host of influential patrons such as dave clarke, billy nasty, slam, chris liebing and the advent in recent years. cari lekebusch, who needs no introduction, is up first and tackles gmid. the result is a purposeful, hypnotic and mechanical slice of linear techno that uses a fever-dream series of overlapping soundscapes to brilliant effect. british dj/producer and ex-radio 1 host, fergie, adds to proceedings of with his mix of noise to noise - a shuffling immaculately produced slice of contemporary techno with an arrangement aimed squarely at the floor. analytic trail has been instrumental in creating what is now recognized as the neapolitan techno sound. the labels dynamic and inventive approach is the key to their success and the name analytic trail is synonymous with the italian big-room techno sound. launched in 2001 by markantonio the label currently sits proudly at the head of italys vibrant techno scene

colin mckeown a.k.a. the parallel has build up quite a name for himself the past 2 years with deep, dubbed and spaced out techno releases on prolific imprints such as komisch, nice & nasty and science timeless music from the emerald isle.

once only famous for the jurassic relics in the pitt rivers museum, oxford now has a new exciting creature roaming the streets and he goes by the name of totally enormous extinct dinosaurs...after releasing his previous three eps through the hot chip-affiliated greco-roman indie, teed has now signed to polydor records and is busy putting the finishing touches to his eagerly anticipated debut album. joining label mates such as jamie woon, la roux, klaxons and many more, its the perfect home for one of the tips of summer 2011

returning to the plus 8 fold once more, paco osuna is one of spains finest electronic exports. having made a name for himself with a residency at amnesia over a decade ago, he hass since gone on to play places like watergate, fabric and movement festival, all the while holding down a residency for barcelonas club4 night at city hall. his experience in the studio goes way back, too, with releases on drumcode and minus as well as mindshake - the techno imprint he founded in 2005. the osuna sound has never strayed too far from the pulsing heart of the dancefloor - despite investigating everything from dark and fierce to stripped and raw techno - and thats the case once again on his four ep …